Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.
Editorial
Funk: American Dada
Mexico Out of the Labyrinth
Koren Christofides: A Medieval Modern Bestiary
KuwataTakuro, I’m Home, Tea Bowl at Kosaku Kanechika Gallery, Tokyo
Svend Bayer: The Humble Narcissist • HOW ONE MAN’S CATHARSIS CHANGED THE WORLD
Tableware as Sculpture and Poetry: Ozioma Onuzulike’s Ceramics
Silent Sentinels: The Gateposts of Adil Writer
Kelly Austin: A Space for Softness
Feb. 1 The Submissions Deadline Approaches for Contemporary Clay 2018
If you have something to show the world, do not let my bated breath be for naught.
Ceramics with an Agenda
Juan Granados’ Pumps of Brick
The Winners of the 13th International Biennial of Ceramics in Manises, Spain • PLUS SOME JUDGES NOTES THAT REVEAL THE REASONS THEY MADE THEIR CHOICES
Scott Meyer: Searching for the Personal in the Iconic
Art as a Process of Discovery: The Singular Aesthetic of Tony Moore
Juris Bergins: Creative work as a search for identity
Seeds of Perversion
The Danish Clay Gulag: GULDAGERGAARD • SOME MUSINGS AROUND A STAY THERE BY A DOWN-UNDERER
A House on the Street
Postcard from Wyoming
Cary Esser: Natural Language
Markus Boehm: East German Master PotterAdapts to Changes after the Fall of the Berlin Wall
Minsoo Lee’s Cylinders Sad Crafts – Looking at New Things
When Rural China Encounters Machine Age An Interpretation of He Yue’s Sculptural Ceramic Works
Exploration, Experimentation and Examination in International Contemporary Ceramics
Common Ground • Site specific clay sculpture at Brownsville Museum of Fine Art, Texas
The Last Potter in the Village: The Story of a Local Potter in Van, Eastern Turkey
Q&A Diagnosing Glaze Blisters
