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Ceramics: Art and Perception

No. 111
Magazine

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Figuring out Paul Smith

Breaking Ground • First Indian Ceramics Triennale

No Green Without Blue: A Journey Into The Sea With Artist Jordan Danger

The Echo of the Ancient: Xiong Kaibo’s Potteries

Collaborating With Uncertainty: Towards Visual Complexity • THIS ARTICLE HAS BEEN ADAPTED FROM A TALK GIVEN AT THE CONFLUENCE WOODFIRING SYMPOSIUM HELENA MONTANA OCTOBER 2018.

A Cultural Narrative at Lacoste/Keane Gallery, Concord, Massachusetts, USA. Sep 8 – 29, 2018 • ARTISTS' STATEMENTS

Together/Apart • An NCECA Concurrent Exhibition Pittsburgh Cultural Trust

Nina Gaby: Ways to Tell a Story

Brian Rochefort 2030 at Van Doren Waxter Gallery, New York City Jan 9–Feb 16, 2019

Making it Up • Alison Britton’s Solo Exhibition at Marsden Woo Gallery, London Nov 8 – Dec 22, 2018

Caroline Schultz Vieira: Conversations

Ladi Kwali at Skoto Gallery, New York City

City of Hobart Art Prize: Tasmanian Museum and Art Gallery

The Contingent

Kathryn Hearn: Yesterday, Tomorrow and Beyond

A Journey to Inner Fire

Marta Donaghey: Centre of Success

Tip Toland: Fragile Embodiments

Consumed While Consuming

The Social Role of Ecological Artistic Expression

Bridging the Divide: The Poised Sculpture of Tessa Eastman

Gleanings: A Potter in China Flood-time, Jingdezhen

Low Expectations

Ceramics Technical

Amorf-scape Bandung Modern Ceramic Art

The Technical Side of Pit-firing with Mary Kaun-English

Optical Activity With Ismet Yuksel

Hand Injuries in Potters • After working with clay for several years my fingers on one hand are not as flexible as in the past and are often stiff. What can be causing this problem?

Raw Material Particle Size • I used a different mesh feldspar in my cone 9 gloss, transparent glaze and it came out semi-opaque. What went wrong?

Urban Primitive Firing: My Turkey Pan Roasting 'Kiln'


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Frequency: Twice per year Pages: 158 Publisher: Mansfield Ceramics Pty Ltd Edition: No. 111

OverDrive Magazine

  • Release date: February 1, 2019

Formats

OverDrive Magazine

subjects

Crafts

Languages

English

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Figuring out Paul Smith

Breaking Ground • First Indian Ceramics Triennale

No Green Without Blue: A Journey Into The Sea With Artist Jordan Danger

The Echo of the Ancient: Xiong Kaibo’s Potteries

Collaborating With Uncertainty: Towards Visual Complexity • THIS ARTICLE HAS BEEN ADAPTED FROM A TALK GIVEN AT THE CONFLUENCE WOODFIRING SYMPOSIUM HELENA MONTANA OCTOBER 2018.

A Cultural Narrative at Lacoste/Keane Gallery, Concord, Massachusetts, USA. Sep 8 – 29, 2018 • ARTISTS' STATEMENTS

Together/Apart • An NCECA Concurrent Exhibition Pittsburgh Cultural Trust

Nina Gaby: Ways to Tell a Story

Brian Rochefort 2030 at Van Doren Waxter Gallery, New York City Jan 9–Feb 16, 2019

Making it Up • Alison Britton’s Solo Exhibition at Marsden Woo Gallery, London Nov 8 – Dec 22, 2018

Caroline Schultz Vieira: Conversations

Ladi Kwali at Skoto Gallery, New York City

City of Hobart Art Prize: Tasmanian Museum and Art Gallery

The Contingent

Kathryn Hearn: Yesterday, Tomorrow and Beyond

A Journey to Inner Fire

Marta Donaghey: Centre of Success

Tip Toland: Fragile Embodiments

Consumed While Consuming

The Social Role of Ecological Artistic Expression

Bridging the Divide: The Poised Sculpture of Tessa Eastman

Gleanings: A Potter in China Flood-time, Jingdezhen

Low Expectations

Ceramics Technical

Amorf-scape Bandung Modern Ceramic Art

The Technical Side of Pit-firing with Mary Kaun-English

Optical Activity With Ismet Yuksel

Hand Injuries in Potters • After working with clay for several years my fingers on one hand are not as flexible as in the past and are often stiff. What can be causing this problem?

Raw Material Particle Size • I used a different mesh feldspar in my cone 9 gloss, transparent glaze and it came out semi-opaque. What went wrong?

Urban Primitive Firing: My Turkey Pan Roasting 'Kiln'


Expand title description text