Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.
Ceramics: Art and Perception
Sam Chung's Clouds of Heritage
Carolyn Genders: ‘Do I Know Before I Start?’
Beau-laid
Royal College of Art Show 2019
Frank James Fisher: Pop Artifacts and Beyond
Five Cubed
Liz Watts
Siddig el Nigoumi: A Potter in Exile
Place It/Face It: Pottery by Eugene McMissick Museum, University of South Carolina (Aug 18 – Dec 15, 2018)
The Purple Pottery of Jianshui, China
Process and Presence: Art and Disability
Lena Peters: Saints and Spirits
Chinoiserie: Printed British Ceramics in the Chinese style 1750 – 1900
Amber Aguirre
Shiwan Ceramics: Looking Backward to Move Forward
Cluster of Vases
Ceramics suits me, I am used to disappointment: Making objects of contemplation • Each year we are delighted to showcase the writing talents of graduating students as part of our sponsorship program of art schools. Sassy Park was awarded the Mansfield Ceramics Writing Prize at the end of 2018 when she graduated from the National Art School, in Sydney, Australia. – Editor
In an Ideal World: the 2019 Sidney Myer Fund Australian Ceramic Award at Shepparton Art Museum
Mission Impossible: Intonation International Clay Symposium
Julia Galloway: The Democracy of Utility
Technical
UMF Phase Diagrams: Guidemaps for Ceramic Glaze Development
Q&A Soda Firing
Traditional Water Pot Installations and Functions in Parts of Igboland, Southeast Nigeria
The Mechanism of (and Recipes for) Dichroic Glazes