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Ceramics: Art and Perception

No. 109
Magazine

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Contained | Contenu: Volume Realised Through Clay and Glass

Turning the UK’s Royal Academy Summer Exhibition on its Head

Ji-Sook Lee’s recent works: from scholar’s accoutrements from the past to female objects in the present

Ken Matsuzaki: Looking for Shapes The Clay Deserves

Marie Woo Clay Odyssey: A Retrospective at Birmingham Bloomfield Art Centre

Clay 2018 Gulgong

Masterful Moments • The Masters of Clay Gulgong 2018 were given the opportunity to share a favourite piece and a reflection upon it. The following are their Masterful Moments.

Clay Gulgong – the inaugural National K-12 Student Ceramics Competition

Postcard from Italy

The Thing Released into the Water: Şirin Koçak’s Ceramics

Toni Ross: A Woman’s Way of Contemporary Minimalism

‘Telling’ Stories: Ray Gonzales at Axis Gallery

Destroyed Present: On Ravit Lazer’s Exhibition Ruins

Mustafa Ağatekin and the Concept of Belonging

The Concept of Beauty in Urhobo Pottery

Contemporary Ceramics and the Past

Porcelain and River Mud: a Chinese Art Residency

The Cairn Project: Healing Through Clay

Remembering the Empty Coolamons

Soda Ash in Oxidation

Q&A Glaze Shivering

Drawing and Ceramics: Pioneering a Digital Solution

Chemical Analysis of Local Kansas Clay and its use in Ceramic Art

Lale Demir Oransay’s Precise Ceramic Structures

Creating ToTeM


Expand title description text
Frequency: Twice per year Pages: 156 Publisher: Mansfield Ceramics Pty Ltd Edition: No. 109

OverDrive Magazine

  • Release date: August 1, 2018

Formats

OverDrive Magazine

subjects

Crafts

Languages

English

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Contained | Contenu: Volume Realised Through Clay and Glass

Turning the UK’s Royal Academy Summer Exhibition on its Head

Ji-Sook Lee’s recent works: from scholar’s accoutrements from the past to female objects in the present

Ken Matsuzaki: Looking for Shapes The Clay Deserves

Marie Woo Clay Odyssey: A Retrospective at Birmingham Bloomfield Art Centre

Clay 2018 Gulgong

Masterful Moments • The Masters of Clay Gulgong 2018 were given the opportunity to share a favourite piece and a reflection upon it. The following are their Masterful Moments.

Clay Gulgong – the inaugural National K-12 Student Ceramics Competition

Postcard from Italy

The Thing Released into the Water: Şirin Koçak’s Ceramics

Toni Ross: A Woman’s Way of Contemporary Minimalism

‘Telling’ Stories: Ray Gonzales at Axis Gallery

Destroyed Present: On Ravit Lazer’s Exhibition Ruins

Mustafa Ağatekin and the Concept of Belonging

The Concept of Beauty in Urhobo Pottery

Contemporary Ceramics and the Past

Porcelain and River Mud: a Chinese Art Residency

The Cairn Project: Healing Through Clay

Remembering the Empty Coolamons

Soda Ash in Oxidation

Q&A Glaze Shivering

Drawing and Ceramics: Pioneering a Digital Solution

Chemical Analysis of Local Kansas Clay and its use in Ceramic Art

Lale Demir Oransay’s Precise Ceramic Structures

Creating ToTeM


Expand title description text